{"id":164,"date":"2026-05-14T10:34:52","date_gmt":"2026-05-14T10:34:52","guid":{"rendered":"https:\/\/prizmamedium.com\/?p=164"},"modified":"2026-05-14T10:34:52","modified_gmt":"2026-05-14T10:34:52","slug":"nje-film-me-ndryshe","status":"publish","type":"post","link":"https:\/\/prizmamedium.com\/tr\/nje-film-me-ndryshe\/","title":{"rendered":"Nj\u00eb film m\u00eb ndryshe"},"content":{"rendered":"
4\u20136 minuta<\/div>\n\n\n

Regjisorja nuk u b\u00ebn thirrje t\u00eb rinjve t\u00eb braktisin vendin e tyre dhe t\u00eb m\u00ebsyjn\u00eb qendrat urbane n\u00eb k\u00ebrkim t\u00eb nj\u00eb jetese m\u00eb t\u00eb mir\u00eb. Por ata me aq sa munden, n\u00eb m\u00ebnyr\u00eb krejt t\u00eb pavarur, aktivizohen dhe mundohen t\u00eb tejkalojn\u00eb rutin\u00ebn e tyre provinciale duke sjell\u00eb grupe muzikore n\u00eb kafenen\u00eb e fshatit t\u00eb quajtur Fabrika, nd\u00ebrsa Venera dhe shoqja e saj Dorina sfidojn\u00eb moralin konservator dhe konventat tradicionale lokale p\u00ebrmes eksplorimeve seksuale.\u00a0<\/p>\n\n\n\n

Filmi \u2018N\u00eb K\u00ebrkim t\u00eb Vener\u00ebs<\/a>\u2019 me regji nga autorja Norika Sefa, paraqet nj\u00eb \u00e7arje epistemologjike n\u00eb trajektoren kinematike kosovare, si p\u00ebr nga p\u00ebrmbajtja ashtu edhe forma.  <\/p>\n\n\n\n

P\u00ebr t\u00eb kuptuar m\u00eb mir\u00eb k\u00ebt\u00eb ne do t\u00eb shtjellojm\u00eb dy elemente baz\u00eb q\u00eb q\u00ebndrojn\u00eb n\u00eb thelb t\u00eb narratives s\u00eb filmit: prezantimi dhe trajtimi. Q\u00eb n\u00eb fillim mund themi se \u2018N\u00eb K\u00ebrkim t\u00eb Vener\u00ebs\u2019 \u00ebsht\u00eb pjes\u00eb e pandashme e nj\u00eb fryme t\u00eb re kinematografike q\u00eb ka shp\u00ebrthyer koh\u00ebt e fundit n\u00eb Kosov\u00eb. <\/p>\n\n\n\n

Filmi flet p\u00ebr Vener\u00ebn, nj\u00eb adoleshente me banim n\u00eb nj\u00eb fshat diku n\u00eb Kosov\u00eb, jeta e s\u00eb cil\u00ebs luhatet n\u00eb mes ndrojtjes dhe kureshtjes duke v\u00ebn\u00eb n\u00eb pik\u00ebpyetje normat shoq\u00ebrore dhe duke shp\u00ebrfaqur konfliktet ideologjike nd\u00ebrmjet brezave. <\/p>\n\n\n\n

Gjat\u00eb gjith\u00eb k\u00ebtij rrug\u00ebtimi, regjisorja tregohet e kujdesshme t\u00eb mos bjer\u00eb n\u00eb grack\u00ebn e nj\u00eb feminizmi postmodern t\u00eb politikave identitare q\u00eb do ta p\u00ebrkufizonte Vener\u00ebn si nj\u00eb subjekt n\u00eb vete ose nj\u00eb problem i izoluar shoq\u00ebror, por k\u00ebt\u00eb e zhvillon n\u00eb m\u00ebnyr\u00eb strukturore duke e nd\u00ebrlidhur me problemet politike dhe ekonomike t\u00eb shtresave tjera sociale. N\u00eb fund t\u00eb fundit n\u00eb nj\u00eb pozit\u00eb m\u00eb t\u00eb lakmuesh\u00ebm pothuajse nuk jan\u00eb as bashk\u00ebmoshatar\u00ebt e saj \u2013 q\u00eb b\u00ebjn\u00eb nj\u00eb jet\u00eb rutinore pa ndonj\u00eb perspektiv\u00eb rinore ku shteti nuk ka investuar asgj\u00eb n\u00eb mir\u00ebqenien e tyre sociale, dhe ku e kalojn\u00eb koh\u00ebn duke u marr\u00eb m\u00eb thashetheme dhe gj\u00ebra t\u00eb bezdisshme si keqtrajtimi i qenve \u2013 e as babai i saj dhe shok\u00ebt e tij q\u00eb kan\u00eb humbur vendet e pun\u00ebs prej kur jan\u00eb privatizuar nd\u00ebrmarrjet prodhuese. Autorja nuk le pa paraqitur kalimthi n\u00eb prapavij\u00eb as problemet e mjedisit dhe ndryshimet klimatike si dhe t\u00eb kaluar\u00ebn historike t\u00eb Kosov\u00ebs. <\/p>\n\n\n\n

Megjithat\u00eb, pavar\u00ebsisht k\u00ebtyre r\u00ebndesave socio-ekonomike, fshati n\u00eb kuptimin e tij \u2018imagjinar\u2019 n\u00eb asnj\u00eb m\u00ebnyr\u00eb nuk mundohet t\u00eb paraqitet si nj\u00eb vend arkaik dhe statik. Kur autorja tregon jet\u00ebn e Vener\u00ebs n\u00eb nj\u00eb fshat t\u00eb Kosov\u00ebs n\u00eb t\u00eb v\u00ebrtet ajo flet n\u00eb p\u00ebrgjith\u00ebsi e jo vet\u00ebm p\u00ebr ndonj\u00eb vend t\u00eb caktuar. <\/p>\n\n\n\n

Regjisorja nuk u b\u00ebn thirrje t\u00eb rinjve t\u00eb braktisin vendin e tyre dhe t\u00eb m\u00ebsyjn\u00eb qendrat urbane n\u00eb k\u00ebrkim t\u00eb nj\u00eb jetese m\u00eb t\u00eb mir\u00eb. Por ata me aq sa munden, n\u00eb m\u00ebnyr\u00eb krejt t\u00eb pavarur, aktivizohen dhe mundohen t\u00eb tejkalojn\u00eb rutin\u00ebn e tyre provinciale duke sjell\u00eb grupe muzikore n\u00eb kafenen\u00eb e fshatit t\u00eb quajtur Fabrika, nd\u00ebrsa Venera dhe shoqja e saj Dorina sfidojn\u00eb moralin konservator dhe konventat tradicionale lokale p\u00ebrmes eksplorimeve seksuale. <\/p>\n\n\n\n

Dikush mund ta v\u00ebr\u00eb n\u00eb dyshim ardhjen e nj\u00eb grupi muzikor alternativ n\u00eb nj\u00eb fshat, mir\u00ebpo, pik\u00ebrisht n\u00eb k\u00ebt\u00eb pik\u00eb q\u00ebndron kthesa metodologjike e filmit sepse regjisorja nuk tenton vet\u00ebm t\u00eb prezantoj apo reflektoj disa problem t\u00eb caktuara sociale diku n\u00eb nj\u00eb provinc\u00eb t\u00eb Kosov\u00ebs, por ajo tenton t\u2019i ndryshoj ato gjithashtu.  <\/p>\n\n\n\n

Filmi mundohet t\u00eb paraqes jet\u00ebn e fshatit jo vet\u00ebm si \u00ebsht\u00eb por edhe si do t\u00eb mund t\u00eb ishte. Me k\u00ebt\u00eb ajo tenton t\u00eb zhduk dikotomin fshat-qytet dhe t\u00eb de-esencializoj\u00eb natyr\u00ebn e \u2018pandryshueshme\u2019 t\u00eb fshatit si nj\u00eb komunitet n\u00eb vete, homogjen, krahinor etj. <\/p>\n\n\n\n

Pra n\u00eb film nuk kemi viktimizim t\u00eb subjektit por nj\u00eb zgjim dhe ndryshim t\u00eb tij. Por ky ndryshim paraqet nj\u00eb problem sepse bart\u00ebs potencial i vet\u00ebdij\u00ebsimit shfaqet vet\u00ebm nj\u00eb shtres\u00eb e caktuar e shoq\u00ebris\u00eb, brezi i t\u00eb rinjve, p\u00ebrderisa gjeneratat m\u00eb n\u00eb mosh\u00eb, si gjyshja dhe prind\u00ebrit e Vener\u00ebs, mbesin t\u00eb p\u00ebrjashtuar n\u00eb procesin e ndryshimit shoq\u00ebror. <\/p>\n\n\n\n

Regjisorja mundohet q\u00eb mbetjet reaksionare t\u00eb patriarkalizmit dominues t\u2019i sfidoj\u00eb p\u00ebrmes nj\u00eb kulture alternative dhe eksplodimi rinor. Ky \u00ebsht\u00eb nj\u00eb shtegtim progresiv i regjisores, mir\u00ebpo patriarkalizmi si nj\u00eb sistem i rregullave t\u00eb ngurta tradicionale \u00ebsht\u00eb nj\u00eb relikt i formacioneve prodhuese para-moderne. Ai \u00ebsht\u00eb nj\u00eb relacion shoq\u00ebror q\u00eb ka baz\u00ebn e saj n\u00eb modelin e prodhimit primitiv. P\u00ebr t\u00eb \u00e7rr\u00ebnjosur patriarkalizmin \u00ebsht\u00eb v\u00ebshtir\u00eb t\u00eb thuhet se at\u00eb duhet goditur vet\u00ebm prej sfer\u00ebs s\u00eb superstruktur\u00ebs (ideologjikes) pa ndryshuar gjithashtu edhe relacionet n\u00eb prodhim q\u00eb ushqejn\u00eb at\u00eb.   <\/p>\n\n\n\n

Filmi do t\u00eb kishte qen\u00eb edhe m\u00eb interesant n\u00ebse brenda gjith\u00eb k\u00ebsaj ngjarje, s\u00eb bashku me radikalizmin dhe rebelimin e Vener\u00ebs dhe Dorin\u00ebs, do t\u00eb ishin revoltuar edhe babai i Vener\u00ebs me shok\u00ebt e tij p\u00ebr t\u00eb rikthyer fabrikat e grabitura prej pas luft\u00ebs.   <\/p>\n\n\n\n

Simbolikat e shumta, edhe pse ndoshta n\u00eb pamje t\u00eb par\u00eb nuk duken, imazhet skenike indirekte, si dhe bashk\u00ebbisedimet e pazakonta n\u00eb mes aktor\u00ebve (dominimi i filozofis\u00eb ekzistencialiste \u00ebsht\u00eb i theksuar: nj\u00eb kombinim i absurdit kafkian me disa teknika eksperimentale), lejojn\u00eb hap\u00ebsir\u00eb t\u00eb madhe p\u00ebr interpretime subjektive, k\u00ebshtu q\u00eb \u00ebsht\u00eb pak e v\u00ebshtir\u00eb t\u00eb kuptojm\u00eb se \u00e7far\u00eb ka dashur autorja t\u00eb tregoj\u00eb sidomos n\u00eb lidhje me privatizimin e nd\u00ebrmarrjeve dhe klas\u00ebn pun\u00ebtore.   <\/p>\n\n\n\n

Pavar\u00ebsisht k\u00ebsaj, autorja duke tentuar t\u00eb paraqes subjektin veprues si forc\u00ebn kryesore t\u00eb ndryshimit shoq\u00ebror, me theks t\u00eb ve\u00e7ant\u00eb grat\u00eb e reja, vet\u00eb filmi i saj shnd\u00ebrrohet n\u00eb nj\u00eb subjekt p\u00ebr ndryshim.  <\/p>\n\n\n\n

Prandaj, do t\u00eb ishte e nj\u00eb r\u00ebnd\u00ebsie t\u00eb ve\u00e7ant\u00eb n\u00ebse shfaqja e filmit nuk do t\u00eb mbetej vet\u00ebm brenda nj\u00eb rrethi t\u00eb ngusht\u00eb urban, por do t\u00eb kishte nj\u00eb shtrirje horizontale edhe n\u00ebp\u00ebr vendbanimet e tjera m\u00eb t\u00eb vogla t\u00eb Kosov\u00ebs.  <\/p>\n\n\n\n

\u270e <\/em>Valdrin Prenkaj<\/strong><\/p>\n\n\n

\"Prizma<\/a><\/div>","protected":false},"excerpt":{"rendered":"

Regjisorja nuk u b\u00ebn thirrje t\u00eb rinjve t\u00eb braktisin vendin e tyre dhe t\u00eb m\u00ebsyjn\u00eb qendrat urbane n\u00eb k\u00ebrkim t\u00eb nj\u00eb jetese m\u00eb t\u00eb mir\u00eb. Por ata me aq sa munden, n\u00eb m\u00ebnyr\u00eb krejt t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[5],"tags":[58,76,77],"class_list":["post-164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fokus","tag-kinema","tag-ne-kerkim-te-veneres","tag-norika-sefa","entry-card--landscape"],"jetpack_featured_media_url":"https:\/\/prizmamedium.com\/wp-content\/uploads\/2026\/05\/image-w1280.jpeg","_links":{"self":[{"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":1,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/posts\/164\/revisions"}],"predecessor-version":[{"id":166,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/posts\/164\/revisions\/166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/media\/165"}],"wp:attachment":[{"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/categories?post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prizmamedium.com\/tr\/wp-json\/wp\/v2\/tags?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}